{"id":155,"date":"2019-12-03T12:13:37","date_gmt":"2019-12-03T12:13:37","guid":{"rendered":"http:\/\/marekpilch.pl\/?page_id=155"},"modified":"2021-05-20T22:09:37","modified_gmt":"2021-05-20T22:09:37","slug":"publikacje","status":"publish","type":"page","link":"https:\/\/marekpilch.pl\/?page_id=155","title":{"rendered":"Publikacje"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"155\" class=\"elementor elementor-155\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a2e7dd2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a2e7dd2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ddbe658\" data-id=\"ddbe658\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b03a979 elementor-widget elementor-widget-text-editor\" data-id=\"b03a979\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><b>Str<i>oje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 I. System pitagorejski<\/i><\/b><\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\">Notes Muzyczny I (2014), \u0141\u00f3d\u017a\u00a0<\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000099;\"><span style=\"text-decoration-line: underline;\"><a href=\"https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwX0pDQVdrYmFucHc\/view\">https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwX0pDQVdrYmFucHc\/view<\/a><\/span><\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000; min-height: 14px;\">\u00a0<\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><b><i>Stroje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 II. Just Intonation<\/i><\/b><\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\">Notes Muzyczny I (2015), \u0141\u00f3d\u017a\u00a0<\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000099;\"><span style=\"text-decoration-line: underline;\"><a href=\"https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwT2lVTVUyLTJrNjA\/view\">https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwT2lVTVUyLTJrNjA\/view<\/a><\/span><\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000; min-height: 14px;\">\u00a0<\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><b><i>Chora\u0142 protestancki \u2013 historia, pr\u00f3by definicji oraz konteksty poj\u0119cia\u00a0<\/i><\/b><\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue Light'; color: #000000;\">Notes Muzyczny. P\u00f3\u0142rocznik Wydzia\u0142u Fortepianu, Organ\u00f3w, Klawesynu, Muzyki Dawnej i Jazzu. Nr 2(8) 2017\u00a0<\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue Light'; color: #000099;\"><span style=\"text-decoration-line: underline;\"><a href=\"https:\/\/notesmuzyczny.pl\/resources\/html\/article\/details?id=186103\">https:\/\/notesmuzyczny.pl\/resources\/html\/article\/details?id=186103<\/a><\/span><\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue Light'; color: #000000; min-height: 15px;\">\u00a0<\/p><p style=\"margin-bottom: 12px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><b><i>Pocza\u0328tki kultury muzycznej okresu Reformacji w p\u00f3\u0142nocnych i s\u0301rodkowych Niemczech\u00a0<\/i><\/b><\/p><p style=\"margin-bottom: 2px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 13.3px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><i>w: P\u00f3\u0142nocnoniemiecka Szko\u0142a Organowa oraz Johann Sebastian Bach<\/i><\/p><p style=\"margin-bottom: 2px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 13.3px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><i>Akademia Muzyczna im. Karola Szymanowskiego w Katowicach, 2017<\/i><\/p><p style=\"margin-bottom: 2px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 13.3px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><i>red. dr Krzysztof Lukas\u00a0<\/i><\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000087;\"><span style=\"text-decoration-line: underline;\"><a href=\"https:\/\/marekpilch.pl\/wp-content\/uploads\/2021\/05\/Pocza%CC%A8tki-kultury-muzycznej.pdf\">https:\/\/marekpilch.pl\/wp-content\/uploads\/2021\/05\/Pocza\u0328tki-kultury-muzycznej.pdf<\/a><\/span><\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue Light'; color: #000000; min-height: 15px;\">\u00a0<\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><b><i>Klawesyn czy fortepian? R\u00f3\u017cne koncepcje w wykonawstwie muzyki klawiszowej XVIII wieku.\u00a0<\/i><\/b><\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue Light'; color: #000000;\">Notes Muzyczny. P\u00f3\u0142rocznik Wydzia\u0142u Fortepianu, Organ\u00f3w, Klawesynu, Muzyki Dawnej i Jazzu. Nr 1(9) 2018\u00a0<\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000099;\"><span style=\"text-decoration-line: underline;\"><a href=\"https:\/\/notesmuzyczny.pl\/resources\/html\/article\/details?id=186022\">https:\/\/notesmuzyczny.pl\/resources\/html\/article\/details?id=186022<\/a><\/span><\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000; min-height: 14px;\">\u00a0<\/p><p style=\"margin-bottom: 0px; text-align: justify; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000000;\"><b><i>Zagadnienia wykonawcze muzyki klawesynowej w II po\u0142owie XVIII wieku, Cz. 1. Dynamika<\/i><\/b><\/p><p style=\"margin-bottom: 0px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue Light'; color: #000000;\">Notes Muzyczny. P\u00f3\u0142rocznik Wydzia\u0142u Fortepianu, Organ\u00f3w, Klawesynu, Muzyki Dawnej i Jazzu. Nr 1(11) 2019\u00a0<\/p><p style=\"margin-bottom: 0px; margin-left: 70.9px; text-align: justify; text-indent: -70.9px; font-style: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Helvetica Neue'; color: #000087;\"><span style=\"text-decoration-line: underline;\"><a href=\"https:\/\/notesmuzyczny.pl\/resources\/html\/article\/details?id=191371\">https:\/\/notesmuzyczny.pl\/resources\/html\/article\/details?id=191371<\/a><\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Stroje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 I. System pitagorejski Notes Muzyczny I (2014), \u0141\u00f3d\u017a\u00a0 https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwX0pDQVdrYmFucHc\/view \u00a0 Stroje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 II. Just Intonation Notes Muzyczny I (2015), \u0141\u00f3d\u017a\u00a0 https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwT2lVTVUyLTJrNjA\/view \u00a0 Chora\u0142 protestancki \u2013 historia, pr\u00f3by definicji oraz konteksty poj\u0119cia\u00a0 Notes Muzyczny. P\u00f3\u0142rocznik Wydzia\u0142u Fortepianu, Organ\u00f3w, Klawesynu, Muzyki Dawnej i Jazzu. Nr <a href=\"https:\/\/marekpilch.pl\/?page_id=155\" class=\"read-more inline\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Publikacje - MAREK PILCH<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/marekpilch.pl\/?page_id=155\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publikacje - MAREK PILCH\" \/>\n<meta property=\"og:description\" content=\"Stroje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 I. System pitagorejski Notes Muzyczny I (2014), \u0141\u00f3d\u017a\u00a0 https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwX0pDQVdrYmFucHc\/view \u00a0 Stroje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 II. Just Intonation Notes Muzyczny I (2015), \u0141\u00f3d\u017a\u00a0 https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwT2lVTVUyLTJrNjA\/view \u00a0 Chora\u0142 protestancki \u2013 historia, pr\u00f3by definicji oraz konteksty poj\u0119cia\u00a0 Notes Muzyczny. P\u00f3\u0142rocznik Wydzia\u0142u Fortepianu, Organ\u00f3w, Klawesynu, Muzyki Dawnej i Jazzu. Nr Read More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/marekpilch.pl\/?page_id=155\" \/>\n<meta property=\"og:site_name\" content=\"MAREK PILCH\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-20T22:09:37+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minuta\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/marekpilch.pl\/#website\",\"url\":\"https:\/\/marekpilch.pl\/\",\"name\":\"MAREK PILCH\",\"description\":\"ORGANY, KLAWESYN, MUZYKA KAMERALNA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/marekpilch.pl\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/marekpilch.pl\/?page_id=155#webpage\",\"url\":\"https:\/\/marekpilch.pl\/?page_id=155\",\"name\":\"Publikacje - MAREK PILCH\",\"isPartOf\":{\"@id\":\"https:\/\/marekpilch.pl\/#website\"},\"datePublished\":\"2019-12-03T12:13:37+00:00\",\"dateModified\":\"2021-05-20T22:09:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/marekpilch.pl\/?page_id=155#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/marekpilch.pl\/?page_id=155\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/marekpilch.pl\/?page_id=155#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Strona g\\u0142\\u00f3wna\",\"item\":\"https:\/\/marekpilch.pl\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Publikacje\"}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Publikacje - MAREK PILCH","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/marekpilch.pl\/?page_id=155","og_locale":"pl_PL","og_type":"article","og_title":"Publikacje - MAREK PILCH","og_description":"Stroje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 I. System pitagorejski Notes Muzyczny I (2014), \u0141\u00f3d\u017a\u00a0 https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwX0pDQVdrYmFucHc\/view \u00a0 Stroje historyczne w teorii i praktyce, cz\u0119\u015b\u0107 II. Just Intonation Notes Muzyczny I (2015), \u0141\u00f3d\u017a\u00a0 https:\/\/drive.google.com\/file\/d\/0B8qACQdgFklwT2lVTVUyLTJrNjA\/view \u00a0 Chora\u0142 protestancki \u2013 historia, pr\u00f3by definicji oraz konteksty poj\u0119cia\u00a0 Notes Muzyczny. P\u00f3\u0142rocznik Wydzia\u0142u Fortepianu, Organ\u00f3w, Klawesynu, Muzyki Dawnej i Jazzu. Nr Read More","og_url":"https:\/\/marekpilch.pl\/?page_id=155","og_site_name":"MAREK PILCH","article_modified_time":"2021-05-20T22:09:37+00:00","twitter_card":"summary_large_image","twitter_misc":{"Szacowany czas czytania":"1 minuta"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/marekpilch.pl\/#website","url":"https:\/\/marekpilch.pl\/","name":"MAREK PILCH","description":"ORGANY, KLAWESYN, MUZYKA KAMERALNA","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/marekpilch.pl\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pl-PL"},{"@type":"WebPage","@id":"https:\/\/marekpilch.pl\/?page_id=155#webpage","url":"https:\/\/marekpilch.pl\/?page_id=155","name":"Publikacje - MAREK PILCH","isPartOf":{"@id":"https:\/\/marekpilch.pl\/#website"},"datePublished":"2019-12-03T12:13:37+00:00","dateModified":"2021-05-20T22:09:37+00:00","breadcrumb":{"@id":"https:\/\/marekpilch.pl\/?page_id=155#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/marekpilch.pl\/?page_id=155"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/marekpilch.pl\/?page_id=155#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Strona g\u0142\u00f3wna","item":"https:\/\/marekpilch.pl\/"},{"@type":"ListItem","position":2,"name":"Publikacje"}]}]}},"_links":{"self":[{"href":"https:\/\/marekpilch.pl\/index.php?rest_route=\/wp\/v2\/pages\/155"}],"collection":[{"href":"https:\/\/marekpilch.pl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marekpilch.pl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marekpilch.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marekpilch.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=155"}],"version-history":[{"count":7,"href":"https:\/\/marekpilch.pl\/index.php?rest_route=\/wp\/v2\/pages\/155\/revisions"}],"predecessor-version":[{"id":315,"href":"https:\/\/marekpilch.pl\/index.php?rest_route=\/wp\/v2\/pages\/155\/revisions\/315"}],"wp:attachment":[{"href":"https:\/\/marekpilch.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}